The other hill is a true lovers’ corner and a number of young and old couples are seen romancing there. At night, another kind of mood flourishes – the dark corners and the trees’ heavy breathing provide the impetus for abandon and surrender. It is here that the key characters of Raja Gidh indulge in ‘immoral’ sexual conduct and turn into vultures! The real treat of this spot, however, is not the murky symbolism of Bano Qudsia but the magical trees that look different each time you visit them. The walkway to the hilltop is usually encroached upon by several types of shrubs and in spring, with flowers of different varieties. In fact, the criss-crossing paths make it all the more enchanting, reminding one of the non-linearity of life.
Over time, these Gardens have acquired a formidable quality that has survived many attempts to change their character, not the least of which are the grotesque, later-day additions that are, at best, aesthetically challenged. The only exception to this post-partition trend has been the restoration of Turat Murad’s shrine that has been built in the style of the pavilion. Lawrence Gardens need the recognition and attention worthy of their heritage and beauty.
On a personal note, I have walked for years in the Lawrence Gardens – in solitude and with people. My fondest memories of Lahore are in one way or another linked to this splendid place. Often, my soul wanders there to experience the solace and reconnection that the human spirit yearns for. Whenever I have wanted to hear the sound of trees, I have not been disappointed.